A painted bus rolls down a street lined with old buildings and yellow bollards, Panama.
Roll 01 — Exp. 36 38.90°N 77.03°W ⇄ 8.98°N 79.52°W

Documentary photographer — shooting exclusively on film

Street culture & sport, exposed by hand between the DMV and Panamá.

Format
35mm · 120
Stock
B&W · Colour negative
Based
DMV
Advance film

Author's note

No previews. No retakes. Just thirty-six chances to tell the truth about a block, a court, a crowd.

Every frame is exposed on film, developed and scanned — grain, light leaks and all.

Nº 01 — Contact strip

The work

Three sessions on one roll: Pan-AFRIK, Portraits and Sports.

S01 · S02 · S03 — 39 exp.

Drag · Scroll · Hover to develop

  • Session 01

    Pan-AFRIK

    12 frames · Roll 01
  • Session 02

    Portraits

    16 frames · Roll 02
  • Session 03

    Sports

    11 frames · Roll 03

Tap or click a frame to enlarge it

Nº 02 — Profile fotosbylee · Vol. I

Between two coasts of the same story

Elise Eversley, portrait.
Fig. 1 — Self-portrait.

I’ve always had a love for taking pictures. If you knew me growing up, chances are you remember me constantly taking pictures and videos of just about anything and everyone. I probably got on a few people’s nerves along the way, but I was fascinated by the idea of capturing moments and preserving them. Whether big or small, I always found something worth remembering.

My photography journey began in high school when my dad gifted me my first camera, a Canon T8i. From there, the rest is history.

I began to see myself as the painter and the world as my canvas.

— Elise Eversley

I started out photographing still life, using everyday objects as an opportunity to practice and understand the fundamentals of photography, particularly the rule of thirds. Most photographers know exactly what I’m talking about! Those early experiments helped me develop my eye, understand composition, and appreciate the thought that goes into creating an image.

As I became more comfortable behind the camera, I found myself exploring sports photography, which I pursued for several months. Eventually, my interests began to evolve into creative direction. I discovered that I wanted to do more than simply capture what was in front of me. I wanted to create something of my own. I began to see myself as the painter and the world as my canvas, using photography as a way to experiment, tell stories, and bring my imagination to life.

Name
Elise Eversley
Base
DMV
Range
DMV ⇄ Panamá · International
Formats
35mm · 120
Process
Developed & scanned

Featured project

Pan AFRIK

One of my favorite projects to date is my Pan AFRIK project. As an Afro-Latina, this project holds a particularly special place in my heart. I’ve always been interested in the connections throughout the African diaspora and wanted to explore ways to bring those communities closer together. There are so many shared cultural traditions, histories, and similarities that often go unrecognized. Through Pan AFRIK, I hope to highlight those connections, celebrate our differences, and create imagery that encourages people to see just how much we share.

She has traveled to Panama and other international destinations for photography.

Album — Panamá · 03 exp.

PA · 01
PA · 02
PA · 03

Available for editorial commissions, campaigns and long-form documentary.

Model: Manuel Rodriguez

Ultimately, photography has become more than a creative outlet for me. It’s a way to explore my perspective, connect with others, preserve stories, and create images that leave a lasting impression. I’m still learning, experimenting, and finding new ways to challenge myself creatively, and that’s one of the things I love most about this journey.

My name is Elise Eversley, and this is my story.

Nº 03 — Contact

Let's make something that develops slowly.

Commissions

Editorial · Campaigns · Documentary

Phone

+1 (240) 521-7375

Now

DMV ⇄ Panamá

Social

@fotosbylee ↗

Local time

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